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Installing Jerome Durand whose bronze Continental drift appears on the cover of The Park |
mentioned in the latest issue of the journal Red-Spark, whose main theme is the entertainer, the name of Bruce Bégout philosopher by training, has been aroused in me the desire to discover his novel which was published this year by Allia.
"This is the park of all parks, the ultimate synthesis that makes all others obsolete, the universal concept, the invariant algebra."
The ParK is unlike any other, even if spaces existing silos, prisons, hospitals, retirement homes, shopping centers, concentration camps, it incorporates many features. Atypical in that it does not offer the visitor the bidding of special effects that it is usually presented in the traditional amusement parks. Here is the telescoping unpublished unusual situations and confusion of different parking places, who hypnotize the small group of handpicked tourists visiting daily on the island hosting this fantastic space off Borneo. The prohibitive cost and psychological restrictions defining the admission limit crowd of onlookers could be attracted by a new type of parks. Edifying in its realism to all events, scenes that are available to viewers in search of thrills, palpitations of all kinds, often resemble familiar tables, where an exotic element is added to it. One could cite the Reptile House Inc.. representing a company, with employees more than life, surrounded by a reptilian fauna living alongside them, and sparking a fear of every moment in the minds of employees, without sacrificing their professional attendance. In the zoo, leopards and girls come together, in the pool, swimmers and crocodiles. Here, domestic animal is a concept that has no sort of reality.
"Licht search the hubris, not in excess and extravagance that do nothing but inflate the commonplace, but in the crash violent and unnatural environments."
From his huge ivory tower, built on an offshore platform, the architect of this extraordinary park dementia feels, like its congeners, which he analyzed the reactions to his environment in a treaty neuro-architecture, the urge to be cooped up inside his marker dominant Island. The rotary motion of the permanent tower gives him the opportunity, so to speak, to track continuously any malfunctions from its inception.
The insular nature of ParK is the sine qua non to enable it to stand out from anything that might spoil its extraordinary character. Influenced only by its internal life, the ParK is constantly changing and does not need to worry about the controversies that set themselves against him, the knee-jerk reactions of the world population. From the air, its elusive construction raises the most diverse interpretations, reflecting also on the faculty of ParK to regenerate, renew itself constantly in a process invisible. The components of the park are based in the hostile nature of the decor. Its marginality, its partitioning key cause addiction as much as the repulsion among those who enter it.
Parable fascinating and detailed analysis of the health of humanity, need a paradox of safety imprisonment, which began with the development of our societies pernicious, The ParK to me is one of the most surprising and readers of this exciting 2010.
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