Skin Infection More Condition_symptoms

When reason sleeps under the watchful eye of the reader

Goya The Sleep of Reason

"The fancy, without reason, produces monstrosities; United, they bring forth the true artists and create wonders. "(Goya)

Beginning a feature on Gabrielle Wittkop, the tavern will host in conjunction with Anne-Francoise Kavauvea, who introduced the threshold his blog, and will conclude the most likely December 22, the anniversary of the commemoration of his death, by a chronicle of Necrophile The first novel flagship of the work of one of the most iconoclastic French authors.

Composed of six new qu'épouvantables also delectable, The sleep of reason , published posthumously in 2003, is a preferred gateway to the dark and ambivalent work of Gabrielle Wittkop behind each page which explores the territories in the shadows of the unconscious, ready to resurface at the slightest sign of weakness on the right.


The monstrosity includes so imprecise, distorted in a way, all classes of the population, which escape, one way or another, with the conventions that govern nature. If that is repulsive deformity Elementary these unusual beings, the singularities of each prompt to enter their world multiple. To infiltrate the world's best locking these supernatural creatures and unique, to make the most of their heady fragrances, the use of certain substances delicious, or the influence of some unspeakable tortures, add to the staggering size of these accounts.

"It's easy to defend the principles in words. It is already harder to condemn without hypocrisy and cruelty we have seen where it drew an unexpected delight as secret. "

Obscenity the observer is not she able to give birth in the control of this disgusting voyeurism disgust proportional to the delight with which the first indulges his tendencies? Are not decently brought us to ask ourselves about the real identity of the monster? Whoever without restraint themselves to the vices of mankind does he not more stigma than the monstrosity that must suffer the differences of nature?

In the first story that gives the title to the collection, it was the visitors an asylum gathering phenomena show that excite the perversity of those offering them champagne to attend an orgy where they'll remain on the sidelines.

then miraculously fallen, Madeleine does not symbolize the eyes of more than Clement Belly atrophied that characterized his aunt, nicknamed Spider, because of the astonishing ability of contortion before it. When compassion and pity mingled with repulsion, monstrosity is a polymorphism that sparkles upset the feelings of the lover.

Goya

Monsters or chimeras? This is not so much the object being observed is important here that the spirit of one who confronts them. In Like father, like daughter the way mirror, windshield protecting privacy, turned to the erotic life of his paternal and double fantasy, allows Gabrielle feasible alter-ego of the author who has never hidden his homosexuality to have, by stealth, access via proxy connection to the dark side of sexuality of his mistresses, while espousing the view the contours of the desired woman who later reappear in the same bed that it.

Loneliness creates the Harley conditions conducive to the emergence of a figure likely to obsessively fill gaps in love with the isolated and with only death could stop permanently. Harley, avatar, which to survive the visions of Jean-Marie, must stand on its own, be reincarnated in creature supervisor angelic dreams of being loved, the risk of waking up in hell of a terrible start. In

Image gray is a building that the exhibition center, whose remarkable structure jeopardizes the city during the war, which arouses the attention, thus taking on the status of the monstrous story. Corridor network and intricate underground galleries, interconnected by a maze of spiral staircases and unsuspected hollows, the urban labyrinth is shown by the abominable innocent games of hide and seek causes it, and it plays the role developer early provisions for lust, eventually becoming the scene of crimes perpetrated against these children who dared defied the ban. Tormented by its construction and elusive, with its irresistible, the palace seems to represent the negative of the human brain.

Series disparate and disturbing The sleep of reason has a atmosphere and a charm which the writing was literally poisonous contaminated beyond reading.

• Rediscover: The Sleep of Reason Gabrielle Wittkop Vertical Editions (2003) after a partial edition under the name The Holocausts in Veyrier Henry (1976)

Ankylosing Spondylitis. More Condition_symptoms

Park, the ultimate entertainment

Installing Jerome Durand whose bronze Continental drift appears on the cover of The Park

mentioned in the latest issue of the journal Red-Spark, whose main theme is the entertainer, the name of Bruce Bégout philosopher by training, has been aroused in me the desire to discover his novel which was published this year by Allia.

"This is the park of all parks, the ultimate synthesis that makes all others obsolete, the universal concept, the invariant algebra."

The ParK is unlike any other, even if spaces existing silos, prisons, hospitals, retirement homes, shopping centers, concentration camps, it incorporates many features. Atypical in that it does not offer the visitor the bidding of special effects that it is usually presented in the traditional amusement parks. Here is the telescoping unpublished unusual situations and confusion of different parking places, who hypnotize the small group of handpicked tourists visiting daily on the island hosting this fantastic space off Borneo. The prohibitive cost and psychological restrictions defining the admission limit crowd of onlookers could be attracted by a new type of parks. Edifying in its realism to all events, scenes that are available to viewers in search of thrills, palpitations of all kinds, often resemble familiar tables, where an exotic element is added to it. One could cite the Reptile House Inc.. representing a company, with employees more than life, surrounded by a reptilian fauna living alongside them, and sparking a fear of every moment in the minds of employees, without sacrificing their professional attendance. In the zoo, leopards and girls come together, in the pool, swimmers and crocodiles. Here, domestic animal is a concept that has no sort of reality.

"Licht search the hubris, not in excess and extravagance that do nothing but inflate the commonplace, but in the crash violent and unnatural environments."

From his huge ivory tower, built on an offshore platform, the architect of this extraordinary park dementia feels, like its congeners, which he analyzed the reactions to his environment in a treaty neuro-architecture, the urge to be cooped up inside his marker dominant Island. The rotary motion of the permanent tower gives him the opportunity, so to speak, to track continuously any malfunctions from its inception.

The insular nature of ParK is the sine qua non to enable it to stand out from anything that might spoil its extraordinary character. Influenced only by its internal life, the ParK is constantly changing and does not need to worry about the controversies that set themselves against him, the knee-jerk reactions of the world population. From the air, its elusive construction raises the most diverse interpretations, reflecting also on the faculty of ParK to regenerate, renew itself constantly in a process invisible. The components of the park are based in the hostile nature of the decor. Its marginality, its partitioning key cause addiction as much as the repulsion among those who enter it.

Parable fascinating and detailed analysis of the health of humanity, need a paradox of safety imprisonment, which began with the development of our societies pernicious, The ParK to me is one of the most surprising and readers of this exciting 2010.

• Read: The ParK Bruce Bégout at Allia (2010)
• Chronicle Claro

Free Boxxi Game To Play

Cinema paradiso

"In early May 1980, I went to the Urania. It passed a film which I can not remember the title. Worse yet, I do not even remember, and can be not without reason-if it were a fiction film or a documentary. "

By opening the doors to the Urania Kralievo, where the notion of time seems to have been abolished forever, and discarding the color blue velvet curtain that guards the entrance, Goran Petrovic invites his reader to take place alongside the thirty spectators attending a meeting at which the images projected onto a screen similar to a kaleidoscopic assembly in gestation.
After having narrated the history of this unusual and tormented hotel converted into a neighborhood theater, the goal of going cinéroman throughout a tracking shot, occasionally interrupted by inter-titles and reminiscences, dating back rows of seats from first to last, we reveal the composition and the memory of Noah's Ark heterogeneous, aboard which the absent of the community and also intermittent attendance the right to appear.
Leading the procession, we find Simonevitch, the opener who once performed his duties with great fervor, and who prefers to remain for some time in the halls of heaven to take care of this false parakeet named "democracy" and that stubbornly refuses to comment, despite messages of hope that his owner expects it.
surveillance and oppression, inflexible rules that have so far dictated the conduct of the majority of citizens of the country seem to be in this timeless place thank you to the vagaries of each.

Dominated by a sky dotted with constellations, which disintegrates, flaking, disintegrating, the heights of heaven on earth reveal, through its interstices, the hidden face of destiny within it. However, the main role lies with the reader who will meet through these snippets of stories in the gaps of the show offered to him.
Without lifting the veil on all the answers to questions that may cross the mind of his reader, the realization of this fragmented narrative resembles the feature film produced in the shade by the projectionist of the Urania, the well- called barkers, which cuts the coils overlap and the most influential and most diverse in the history of cinema, to bring them by common themes, then put them on stage in a ballet of images is absolutely incredible. Compiler rhapsodic masterfully blending the registers and the most contradictory effects, slapstick and tragedy, gravity and levity, authenticity and parody, the picturesque and the unspeakable, the narrator seems to be the accomplice of this fantasy film, which superimposes the points of view, beyond outrageous part of the documentary, which surpasses gleefully inventive fictions conventional.

"This time, there were only two Gagui and Dragan. To differentiate, say that the real first name was Dragan Gagui, while the nickname was Dragan Gagui. Gagui The first, a little older than the other, was illiterate, so was it the other that he always read what the captions said. "

Symbol of this interweaving of visions, this interchangeability of roles, this stimulation plot, Gagui, unable to read the subtitles and forced to follow the action runs through the narrative of his neighbor improvised Dragan, whose excesses fancy are not heard by the same ear Djordjévitch, the relentless high school teacher, for whom loyalty to the cinema is a sacrosanct rule. But we are in a paradise Kralievo artificial light-years of hostility that has prevailed in Serbia too long already, and positions the most opposite, behavior most eccentric can live here without any ulterior motive, without fear of reprisal, despite the threatening attitude of some sections that sows terror in the ranks.

Without downtime or special effects, the work of Goran Petrovic is literally conducted briskly and served by the French adaptation Gojko Lukic is probably not entirely foreign to its success given the allusions, house which will be discussed and most likely in the tavern.

• Check out allusions, Under a sky that falls off Goran Petrovic, cinéroman translated from Serbian by Gojko Lukic
• Evocation inspired by Anne-Francoise Kavauvea