Despite my painstaking research done on the net, I have found that From the Life of a bitch , published by triptych Climates, is rare enough to be reported, has in all likelihood not left the slightest trace of any chronic. Yet it is certainly a representative work of erotic art by Leo Barthe that invites us to discover a series of stories narrated by the innkeeper, after meeting ineffable just made a traveler within a domain located at the edge of the dream.
Each stage except the first, is narrated indirectly through another character, thus adding to the uncertainty inherent in some detail as one might think from scratch to invent to entertain the listener and strengthen its immersion. We quickly understand that the actions of the actors that dot these stories follow a force that exceeds, as if they were not quite master of their actions, as if caught exposed should be offset by a fundamental innocence, symbolically represented by anonymous female figures who cross the narrative.
By using his pen name erotic Jacques Bee expresses the need for his characters to tell what can not be said face to keep a certain distance vis-à-vis particularly embarrassing situations, retain their essential integrity . Whether a veil, mask, darkness, or the position of the body, a mediator tries invisible, it seems, by his sense of staging, conceal the identity of women. In its indecent to show that the circumstances that require some discretion, the body acquires an autonomy which enables it to borrow the features of the face, and seize and the expressive potential that is usually reserved:
"Your conduct always, the pleasure you experience in your nakedness, fragrances, silent messages that emanate consistent with your skin, wear out your desire to that of anyone who lights you encounter. Yet never has exploded so your obscenity. Stretch your legs on both sides of your chest trying to curl in on itself as opposed to close your mouths. In this movement that maintain links to its point of extreme tension, raise your hips your ass and taunted the sky. Greatly widen your buttocks and the top is a hollow hole that punctuates your shame. You show it with mad insolence. I talk to him and the breath of my voice caresses his dark creases. " ( History of the Good )
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| Antoine Wiertz , Woman Reading a novel (1853) |
The inability to fully embrace the submissive woman, far from eroding violence of desire, it multiplies the contrary, in order to overcome this additional waiting, the need to revive at any time of day and night the haunting images, captured by stealth the subject of fantasies. Behind a bush, through a door ajar or outlet hidden behind a painting, decoration contributes to the cyclic process of desire, which arises at the time of the exhibition, embodies the passivity of the observer lurking in the shadows. It is also not a coincidence that the first narrative, one that opens History of the shepherdess, is introduced following the table that is indecent to watch the traveler visiting the tenant of inn. This inability to be an actor creates a frustration that can not be completely curbed. Thus, the woman symbolizes the temptation of the moment ardently desired where the roles are reversed, in which the viewer becomes the actor finally satisfy his urges without the knowledge of those who played before him. Constantly changing, the protagonists are a predominant part of their development to be able to slip in turn in the skin of different roles, which may reveal new perspectives for their entertainment. In History good, there is first the transformation bitch, dictated by the owner of the house. The first also grabbed the student newspaper to live past events on the other side of the mirror. Thereafter, it will wish to transform the young man in sex slave for the pleasure of ownership dominate. In History cleared, the master places organize parties where he left his wife to thank you for its guests to discover a new angle. By giving his story to the scribe, the accomplice makes good games rules she contrives to make it exciting to relive all the more intensely his secret life.
"My power is such that it lets do it with a passivity that excites . ", declares the good become emancipated by guiding the painter's model who has focused its services.
The composers of this score erotic spin a tumultuous concerto is not without consequences in a parallel dimension, but with unknown However, all the ins and outs. In History good, the ability to concentrate the student will fluctuate depending on the evolution of his nocturnal adventures. The latter exclaims: "Against all reason I have the feeling of throwing a dark curse with catastrophic swiftness of a sorcerer's apprentice. "
In History shepherd, the farmer makes the final decision to seek remuneration for services rendered before a coat in exchange for crude and meager provisions. Finally in History stamped , good draws his release sexual material to create the innovative fabric of its existence, allowing it to become itself the architect of his happiness.
The elegance of the writing is regularly hampered by the brutality of the language used to realize the full extent of the scenes mentioned, resulting in contrast to the less eloquent.
The aim of these stories lies largely outside the erotic scenes in the initiation of perpetual imagination of the reader who must, in order to enjoy the very substance of the work, guess the convergence fates, relationships that develop between them, and face the dark sides of the story being hatched behind the scenes story behind the housing abyss cleverly developed.
- to see: In climates in the collection Climax Of Life a bitch, erotic trilogy Leo Barthe, including History of the Shepherdess (2002, published also in pocket), History good (2002) and History of postage (2003).
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